Saturday, October 22, 2011

VSO Played Beethoven & Mozart

I’m just back from Orpheum…another fabulous concert of Vancouver Symphony.

It was strange…after forty years of continuous concert going, I was thinking in the interval, how this habit of mine to sit in the first row started when it’s not an interesting location for the overall sound heard, nor the best place for visual purposes…the best can be viewed is the strings section and only the first rows!  Then I went back, with the wings of imagination, to my home town 40 years back, when viewing Henryk Szeryng, for instance, playing Beethoven with the Tehran Symphony Orchestra from the closest distance possible was a once-in-a-life-time chance, especially for a young 14-year boy.

Anyway, Maestro Tovey opened the concert with “Earth Songs” by Professor Stephen Chatman, Head, Composition Division at The University of British Columbia.  This piece was commissioned by the UBC in honour of its centenary four years ago (2007).  Vancouver Bach Choir joined the VSO in performance of this work.  A beautiful work...made me buy the CD at the interval!

The all-classic part of the evening started after that with the beautiful second concerto of Beethoven, totally a Mozartian type.  Opus number 19 shows it all.  The 39-year-old pianist from Vienna, Till Fellner played the solo part...very soft and pretty much beautiful performance.

First movement begins with a long introduction by tutti in the tonic key of B-flat major.  Solo enters after a few chromatic passages and a full classic conversation between the solo and tutti continues the movement. 

Adagio is one of the charming Beethoven’s movements in the subdominant key of E-flat major.

And finally comes the finale, again a totally classic 7-part rondo in a 6/8 rhythm.  A Beethoven typical musical joke can be heard right before the last appearance of the rondo theme when solo moves to a G major key by mistake but tutti guides the solo to the correct tonic key!

After the interval, the glamorous Symphony No. 40 of Mozart was performed.  The amazing sound of the orchestra of our town shows much better in symphonies far from natural mistakes of the soloists that distract the average audience.  And Maestro Tovey, as I told him once in the West Vancouver Library, is as wonderful as his guru, the late Leonard Bernstein I loved.

The first theme is just charming, although a bit dark and sad.  It starts in the tonic key of G major with the accompaniment of the lower strings.  This technique was widely used later by early romantics.  An example is the beginning of Mendelssohn’s first violin concerto.

Slow movement moves to E-flat, the submediant major of the main key.

The minuet is a true Mozartian-classic ¾ dance including a happier trio.  To me, it was performed too fast for an eighteenth century court dance...should be more elegant.  Probably Maestro Tovey wanted to finish the fastest concert (under two hours) even faster and go home!

Finale, allegro assai in the tonic G minor is a very rhythmic live movement, a happy ending for a great symphony.

This time, nothing exciting happened, no baton flew in the air, no D string of the second violins broke…nothing!

Sunday, October 16, 2011

Iron Ring

Reference: The Iron Ring Website

The history of the Calling of an Engineer dates back to 1922.  Seven past presidents of the Engineering Institute of Canada (then so called) had a meeting in Montreal with other engineers.  

One of the speakers in the meeting was Professor Haultain of the University of Toronto. He recommended establishing an organization to bind all members of the engineering profession in Canada.  He felt that an obligation or statement of ethics needed be developed to which a young graduate in engineering could subscribe.  The past presidents of the Engineering Institute of Canada were very receptive to this idea.

Haultain wrote to Rudyard Kipling, who had made references to the work of engineers in some of his poems and writings, asking him for his assistance in developing a suitably dignified obligation and ceremony for this purpose.  Kipling was very enthusiastic in his response and shortly produced both an obligation and a ceremony formally entitled "The Ritual of the Calling of an Engineer."

The Ritual is now administered by a body called The Corporation of the Seven Wardens Inc.  The seven past presidents of the Engineering Institute of Canada in 1922 were the original seven Wardens.  The Corporation is responsible for administering and maintaining the Ritual and, in order to do so, creates Camps in various locations in Canada.  The Ritual is not connected with any university or engineering organization.  It is an entirely independent body.  The Ritual has been copyrighted in Canada and in the United States.

The Iron Ring has been registered too and may be worn on the little finger of the working hand by any engineer who has been obligated at an authorized ceremony of the Ritual of the Calling of the Engineer.  The ring symbolizes the pride which engineers have in their profession, while simultaneously reminding them of their humility.  The ring serves as a reminder to the engineer and others of the engineer's obligation to live by a high standard of professional conduct.  It is not a symbol of qualification as an engineer which is determined by the provincial and territorial licensing bodies.
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